We need more the power of magic now
since we turned our gaze away,
since we closed up our ears
to the earth’s sweet hum
and heard only the great
rasping of our greed;
though we wear our science artfully
still it catches us
and snares us in;
our little learning is lost
to us in this scrabbling
and lusting after wealth.

The ways of magic woo us
now that we are cast adrift.
(It was long ago we broke
our faith when we made
our wants our creed.)
If the great oak cracks
and bows his back
and the green girl tears at her veil,
we will bare our bones
and feed its fires
while the great wheel
hurtles and burns.

For the chorus of the magi calls:
though we shrivel and we shrink,
the dragon rises up to roar
and we must feel its breath;
and we may be heroes, all of us
that grapple with the moon
and brave the flames
to find again our vision
and our strength.Image

‘Coming Soon’: My Poem Appears at Poetry 24 Today

Recently, while catching up on what the BBC is pleased to call its News Channel – although it is, in fact, increasingly dominated by topics which are not actually news – I witnessed a shameful display of gerontophobia from the three presenters who were involved in ‘The Papers’, a nightly discussion of the stories appearing in the next day’s press.

In the course of this item, all three of the presenters laughed and joked about the suggestion that elderly people were being passed over for medical treatment on the grounds that they were old and, therefore, in terms of economics not ‘worth’ saving. The ‘problem’ of pensions was mentioned and it was pointed out, still amidst much laughter, that it would be a good thing if some elderly people died because their demise would help solve that problem. My partner and I sat open-mouthed and this display of mindless cruelty on the part of three people in a position of privilege and what should have been responsibility. I was extremely upset by the incident. ‘Coming Soon’ is my response.

Read ‘Coming Soon’ here.

Politics vs. Literature

(with apologies to Mr Orwell)

Let’s keep politics out of this.
It’s only entertainment, after all.

There are many Truths and Beauty, as you know,
is always in the eye of the beholder.

As for narratives, be they ever so grand,
they really are so very last year.

Let us, as professionals, polish our skills;
let us make a whetstone of perfection.

Poets, though, do it mostly for love,
there being piss poor profit in verse.

So when is a poem not a poem at all?
When it’s song that breaks the rules.

And when does the song-bird forget to sing
if not when she’s hobbled and tied?

The smart set would strive for anonymity now
but how will they know when they arrive there?

Perhaps, after all, we have waited too long
to find we all have a story to sell.

Orwell’s essay here

Into The Light

‘They’re angry because they’re frightened. They don’t know what else to do.’

The silver-haired man in the patched and faded jeans is speaking up close to Sarah’s ear. He is careful not to look at her face but instead stares over her shoulder so that his gaze skims over the frail old lady who is restlessly waving stick. It comes to rest, finally, on the face of her companion, slightly younger and vaguely androgynous. Every so often, she bends over her friend, smoothing the confusion of her hair.

There are no young people here. The mean age is probably seventy. But most of those who appear to be younger bear the outward signs of illness or handicap. Some people are confined to wheelchairs, others are partially-sighted; there are those who can barely breathe and some who are crippled and wasted. The effects of osteoporosis and vitamin deficiency are also much in evidence. People do not eat like they used to now the cost of foodstuffs has soared.
Fuel, too, has gone up and up so people have to make choices. It is better to be hungry than to perish from the cold.

The unvarnished truth is that, like it or not, there are just too many people. All of them are uncomfortable and some of them are utterly bemused. Probably, they would be mill about if they only had the space to do so. One can tell from their faces that they are both frightened and confused. As it is, they are pressed back to back and fragile shoulder to shoulder, crammed together in this tiny space for hours at a time.

It is impossible to guess whose turn will come next. There is no discernible system. There is nothing for it but to watch and wait and hope for the best.
First thing every morning, the noise is oppressive. Everyone is talking very loudly. There is pushing and shoving; sometimes screaming. People fall over in the crush. Eventually, however, the hubbub subsides and settles down to a kind of hum. Occasionally, someone coughs or farts or, worse, somebody weeps.

The air is thick with the stink of fear, rank BO, and urine. Sarah tries not to think about this. She knows she will need to go soon. How long, she wonders, can she cross her legs before the strain of it is just too much for her? The last time she wet herself she was eleven years old. It was half-way through evensong in the church of St Michael and St Andrew. It was winter time and the unheated church was unbelievably cold. She should have gone before she left home. Her mother was always reminding her. Such was her anguish and humiliation she hid behind a grave stone. Later, she sat in a shallow bath and sobbed till she thought her chest would burst.

Sarah doesn’t know the man at her side but his voice is reassuring. Once or twice, he has reached out his hand on her arm and laid it down lightly on her arm. It is an odd feeling, a man’s hand, those pale, slender fingers. Connor’s hands were big and strong. It seems to her a long time ago.

‘I know,’ she whispers, ‘and they’re all so young. Part of me wants to feel sorry for them.’

She does not turn towards the man but stares steadily ahead. ‘Look at that one over there by the fence. She can’t be more than twenty. What makes a pretty girl like that get involved in something like this?’

The man smiles a quick, tight smile and raises one overgrown eyebrow. Why does the fact that the girl is so pretty somehow make it worse? Sarah doesn’t know but it does make it worse – and then she is suddenly exhausted. She wants nothing so much as to rest her cheek against this stranger’s chest.

‘What is your name? ’ she asks him softly.

She turns her face towards him. His grey eyes seem to glow with kindness and the smallest hint of a smile. This, she thinks, may be the last time, the very last time she does this. But, just as she thinks it, the barricade lifts and she hears the tell-tale click.

‘You, you, you and you.’

The words come spitting like bullets. The speaker is blond with the kind of beard a young man grows because he can. Sarah feels the bolt-t nuzzle her ribs, persuading her nearer her comforter. It seems that, after all, the time has passed for the giving and receiving of names.

Too late, she thinks. It is always too late.But she takes the trembling hand he offers. The years fall away like flesh from the bone as she follows him into the light.

(First published by Word Gumbo in October, 2011

‘The Repo Man’ and Other Horror Stories

On TV today, ‘The Repo Man’,
a look at life lived on the edge
that comforts and scares in equal measure,
we who have so much still to lose.
Though we are not there yet,
on the grim edge of the abyss
we may, at any moment, miss our footing;
and to think of this man, like a broad side of beef,
with his hand as big as shovels on a digger,
reminds us of the way we may go
and causes us to tremble in our boots.

Our schedulers are kind, though: they offer us shows
that help us to see our silver linings:
our prime-time viewing is composed
of the lives of those who must struggle to eat;
then there are those who, by disease or misfortune,
have been robbed of their chance for simple happiness:
freaks and midgets and paraplegics,
those who are marooned by their own appetites,
those who are paraded to cavort like grotesques
and caper like hunch-backs and fools.

It is we who are the fools, though, for we are taken in,
dumb in the face of so much outrage:
by our dull consent, we bring to our own homes
the stink and clamour of the booth;
and, by its execution, this ‘entertainment’,
makes a fairground and a circus of humanity.
Who profits by it? Who oils the wheels?
What is the hand that cracks the whip?